Black Friday
We did NOT put a tree up (yet)! Instead, R. and I did Duo and I walked with M. and had a delightful phone chat with K. and then we went to the Rachel Ruysch exhibit at MFA. It was absolutely wonderful. I highly recommend it. She was an amazing artist and this exhibit is a first ever opportunity to see this kind of overview, and then also the exhibit is structured really well, with lots of explanations about the showy flowers and the amazing bugs, work by her sister and their teacher and one of her inspirations. There’s a substantial amount of explanation / depiction of career trajectory and tons of historical context provided as well.
What surprised me most was how broad the effective angle of view is on most of these paintings (broader than many other artists of the time, right from the beginning) and how Ruysch clearly was consciously pushing that angle of view wider over most of her career. After her mid-life reduction in productivity, her return was to a slightly reduced angle of view, but a big jump up in dimensionality / immersiveness. By her last painting, she has a boldly curved line for the bottom edge of the table that now has a corner jutting out towards the viewer instead of being placed straight on the edge. That downward curve straightens out if you move back just a little bit, and the painting clicks into 3 dimensional focus. It’s subtle, remarkable, and utterly unexpected.
The backdrops on the forest floor paintings have some really delicious ambiguity to them. In at least one instance, it is recognizably a painted canvas hanging from somewhere above, as if in a display or on a stage. Are we intended to believe them as the fading background or are we intended to see this as more of the setpiece? How did Ruysch sort her viewers, based on what they saw and how they reacted to it? The discourse of the heavily programmatic paintings done by her instructor (and his generation) had taught everyone to consciously look for theme and setting to ascertain the moral of the painting (often signaled by the title). We don’t read sermons but we do still sometimes read the comedies of manners and occasionally stage the plays of this and related eras in other empires. It is delightful to wonder about all that in a vase of flowers from all over the world, wilting and being crawled on and around by lizards and snakes and beetles and the actual dead bodies of butterflies.














